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We therefore recommend parking in Via Cerretana and continuing on foot.

Hydromechanical perpetual wheel

Alexander Neuwahl, Andrea Bernardoni

2024

Among Leonardo’s many attempts to conceive a perpetual motion machine, this wheel stands out for its original use of pistons and liquids in a closed circuit, regulated by a clockwork mechanism.

Described on folio 1062 v of the Codex Atlanticus, the hydromechanical perpetual wheel consists of a rotating frame on which two piston devices are mounted in an orthogonal arrangement. Each device includes a pair of opposing cylinders connected by an S-shaped hydraulic conduit, within which movable pistons operate. During rotation, the weight of the pistons pushes the liquid from one cylinder to the other, creating a dynamic imbalance that drives the wheel’s motion.

Leonardo envisaged installing up to four modules on the same axle, with an impulse every 30 degrees of rotation. In a note, he also considers the possibility of using three modules, staggered by 60 degrees. His attention to technical detail is remarkable: to prevent the bellows’ leather from deteriorating in contact with water, Leonardo suggests using wine as the working fluid.

The system is completed with a foliot escapement, the same mechanism used in contemporary clocks, to regulate the wheel’s rotational speed. A similar version of the wheel also appears in Madrid Codex I (f. 74 r), where Leonardo describes this device as “moto soffistico”—theoretically fascinating, but impossible to make work in practice.

Technical informations

Type of exhibit
Model
Collection
Material
Wood, iron, and leather
Measures
Height: 183 cm; Width: 125 cm; Depth: 38 cm
Storage location
Relationship with the original work
Source: Leonardo da Vinci, Codex Atlanticus, f. 1062 v
Location
Museo Leonardiano, Palazzina Uzielli, first floor

Madonna and Child with Saint John the Baptist

Giovanni della Robbia

1523

The large glazed terracotta altarpiece depicting the Madonna and Child with Saint John the Baptist was commissioned in 1523 by Giovacchino di Filippo Macinghi, the podestà of Vinci. This is clearly evidenced by the inscription and the coats of arms on the predella: on the sides, the emblem of the municipality of Vinci with its turreted castle, and in the center, the Macinghi family crest.

The sculpture was created by Giovanni della Robbia, son of the famous Luca, inventor of this original and successful artistic technique, which involved a second firing using tin glazes and metallic oxides to give the work a brilliant shine and excellent durability against time and the elements. Giovanni’s decorative and coloristic style is evident in the tile pattern forming the background of the Sacred Scene, framed by a colorful festooned border of leaves, fruits, and flowers.

Technical informations

Type of exhibit
Sculpture
Collection
Material
Glazed terracotta
Measures
Height: 207 cm; Width: 117 cm.
Storage location
Inventory number
Record n. OA: 00000040
Location
Museo Leonardiano, Counts Guidi's castle, first floor

Watercraft with paddle wheels and wind blade system

Made by
Università di Firenze, Facoltà di Ingegneria, Dipartimento di Meccanica e Tecnologie industriali, Made by
Etruria Musei

2010

This model is based on an anonymous 16th-century drawing that was probably a copy of a project by Leonardo. The vessel moves by means of an original system of three pairs of blades: the larger wheels are set into motion by the wind, and these actuate the sets of smaller paddle wheels through the engagement of pegged wheels, lantern pinions, and a crankshaft system.

The design of this watercraft arises from suggestive memories evoked by the mysterious water vessel called the Badalone, created by Filippo Brunelleschi for transporting blocks of marble from Pisa to Florence. The watercraft, which had neither oars nor sails, sank to the bottom of the Arno in the stretch between Castelfranco di Sotto and Empoli.

Technical informations

Type of exhibit
Model
Collection
Material
Wood
Measures
Width: 60 cm, Height: 44.5 cm; Depth: 41.5 cm.
Storage location
Relationship with the original work
Source: Anonymous, Uffizi Drawings and Prints Department, no. 4085
Location
Museo Leonardiano, Counts Guidi's castle, first floor

Designed by Sienese engineer Francesco di Giorgio Martini, this amphibious vessel with shaped, or treaded, wheels was to be used for navigating shallow or marshy waters.

The boat had the capacity, when needed, of transforming into a hybrid vehicle capable of passing over sandy dry portions of the river course, as well as over deposits of mud that accumulated in the river beds during dry months. The outer wheels, similar to those of a modern tractor, made it possible for the vehicle to advance by gripping onto the sludgy ground.
Francesco likely took inspiration from the boats used in the Naumachiae, performances dating from classical Greek and Roman times, in which actual naval battles were staged for entertainment. Those boats were indeed equipped with wheels that allowed the vessels to be easily transported into the arenas.

Technical informations

Type of exhibit
Model
Collection
Material
Wood
Measures
Width: 45 cm; Length: 13 cm; Depth: 33 cm.
Storage location
Relationship with the original work
Source: Francesco di Giorgio Martini, Ms. Magliabechiano II.1.141, f. 222 r
Location
Museo Leonardiano, Counts Guidi's castle, first floor

Anti-friction arrangement for the Mutte

Pascal Brioist, Alexander Neuwahl, Jean-Louis Pironio

2009

In order to support bells and cause them to swing, Leonardo conceived of a special apparatus capable of reducing friction by a considerable amount. The solution he proposed  resembles, in an incredible way, the anti-friction device still in use for the large bell at the Cathedral of Saint-Etienne in Metz, France, called “La Mutte.”

This device, reconstructed here in a 1:2 scale, consists of a robust triangular iron support, supported at right and left by two members having the form of sectors of a circle. In the center is a small cylinder representing the axle on which the bell rests. When the bell swings to chime, the axle rolls, instead of sliding, on the supports, setting them in motion. How, though, can we explain this astonishing resemblance? Probably Leonardo collected some information on the bell at Metz and used it as a point of departure for his own studies on friction. His recorded works provide testimony of how technical knowledge at that time circulated all throughout Europe.

Technical informations

Type of exhibit
Model
Material
Iron
Measures
Width: 54 cm; Height: 57 cm; Depth: 5 cm.
Storage location
Relationship with the original work
Source: Leonardo da Vinci, Codex Atlanticus, f. 1086 r
Location
Museo Leonardiano, Counts Guidi's castle, ground floor

Transformation of alternating motion into circular motion

Made by
IBM Italia

1952

All of Leonardo’s machines, from the simplest to the most complex, consist of mechanical elements that make it possible, when connected to one another, to transmit and transform motion.

The mechanism on display represents one of the simplest solutions for converting alternating motion into continuous motion. A driving lever is moved back and forth, actuating two parallel rods, making them move simultaneously, first in one direction and then in the opposite. The two rods, equipped with teeth cut in opposite directions, mesh alternately with the wheel placed at the center of the mechanism.
The wheel, as Leonardo says, will therefore always move “in one single direction,” driven by the alternating action of the two rods.

Technical informations

Type of exhibit
Model
Material
Carved, partially painted wood, wrought iron
Measures
Width: 70 cm; Height: 54.5 cm; Depth: 30 cm.
Storage location
Relationship with the original work
Source: Leonardo da Vinci, Madrid Codex I, f. 123 v
Inventory number
Record n. OA: 00000036
Location
Museo Leonardiano, Counts Guidi's castle, ground floor

Device for measuring wind or water speed

Made by
IBM Italia

1952

In his research into gliding flight, Leonardo studied the motion of air and air currents in the attempt to understand how these could interact with flying machines. Accordingly, he designed an instrument to be able to provide, as he wrote, “experience of the motion of air or water.” 

The device consists of two wooden tablets positioned at right angles: on the vertical tablet, two pierced cones are inserted, of the same length, but with different openings. On the horizontal tablet two vertical supports are fixed, sustaining the axis of a wheel with blades, around which a cord is wrapped, having two weights at the ends. In order to measure the wind pressure, Leonardo suggested positioning the vertical tablet in the direction of the wind and making the air pass first through one hole and then through the other. The wind would thus drive the bladed wheel, causing the connected weights to rise in a manner directly proportional to the breadth of the hole used for measurement.

This instrument can also be used in the same manner for measuring water speed.

Technical informations

Type of exhibit
Model
Collection
Material
Carved wood, copper, brass, rope
Measures
Height: 38.5 cm; Length: 47 cm; Depth: 24.8 cm.
Storage location
Relationship with the original work
Source: Leonardo da Vinci, British Museum, f. 241
Inventory number
Record n. OA: 00000042

Propeller anemometer

Made by
IBM Italia

1952

Greatly interested in being able to find the most suitable atmospheric conditions for gliding flight, Leonardo designed an instrument capable of measuring wind velocity. The model is constituted of a simple structure in the form of a quarter-circle equipped with a hanging vane and a graduated arc.

When thrust by the wind, the vane deviates from its resting vertical position to an angle proportional to the force of the wind itself, measurable on the graduated arc. In the notes accompanying the drawing, Leonardo emphasizes the necessity of pairing this instrument with a timepiece in order to calculate how much distance can be traveled while being driven by air currents in a specific time interval.

Technical informations

Type of exhibit
Model
Collection
Material
Carved wood, copper
Measures
Width: 39.5 cm; Height: 40 cm; Depth: 22 cm.
Storage location
Relationship with the original work
Source: Leonardo da Vinci, Codex Atlanticus, f. 675 r
Inventory number
Record n. OA: 00000041
Location
Museo Leonardiano, Counts Guidi's castle, ground floor

Inclinometer

Made by
IBM Italia

1952

In his design of flying machines, Leonardo took into account not only the force of the pilot’s muscles, to be used for beating the wings, but also his dexterity, to be used for balancing and directing maneuvers.

Accordingly, he designed the inclinometer, an onboard instrument for aerial navigation, with which the pilot could control the position of the flying machine with respect to the ground, and thereby maintain the proper balance and inclination necessary during maneuvers for changing direction. The model is formed from a circular base topped by a glass bell, with a small pendulum hanging inside. A central position of the pendulum during flight would indicate to the pilot that the flying machine was at the proper horizontal position with respect to ground, whereas the bell served to protect the pendulum from interference due to gusts of wind.

Technical informations

Type of exhibit
Model
Collection
Material
Carved/painted wood, glass, cotton rope
Measures
Height: 42 cm; Diameter: 36 cm.
Storage location
Relationship with the original work
Source: Leonardo da Vinci, Codex Atlanticus, f. 1058 r
Inventory number
Record n. OA: 00000039
Location
Museo Leonardiano, Counts Guidi's castle, ground floor

Hygrometer

Made by
IBM Italia

1952

For the purpose of measuring air humidity, meaning the quantity of water vapor contained in the air, Leonardo conceived a hygrometer in the form of a balance with two plates.

In using the instrument, a wad of cotton wool is placed on one of the plates, as a hygroscopic (water-absorbing) substance, and on the other, a lump of wax (an impermeable material) of identical weight. When the air is dry, the balance remains in equilibrium. As the air humidity increases, the balance tips more and more toward the side of the hygroscopic material. This is because the wad of cotton wool increases in weight by absorbing water contained in the air, while the lump of wax maintains its original weight. The plumb-line at the center of the apparatus shows how much the staff connecting the two plates has inclined, indicating thereon the variation of atmospheric humidity.

Technical informations

Type of exhibit
Model
Collection
Material
Carved/painted wood, copper, cotton rope, wadding, wax
Measures
Width: 43 cm; Height: 41.2 cm; Base: 27.7 cm.
Storage location
Relationship with the original work
Source: Leonardo da Vinci, Codex Atlanticus, f. 30 v
Inventory number
Record n. OA: 00000040
Location
Museo Leonardiano, Counts Guidi's castle, ground floor

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